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一直作為米路斯．科曼劇本鐵三角（另一(🌰)位是帕培錫(🕸)，也(🔱)是本(běn )片編(🍥)劇(jù )之一）成員(yuán )的艾(🛤)雲．巴薩，當然也走低度戲劇路線。同(❣)是(🌗)音(yīn )樂家的(de )彼(🚤)德與卡洛老友重逢(féng )，生活狀況大不同，你有伴侶我有家(🐖)庭(tíng )，然(rán )而都(dōu )有說不出(🍮)的(✖)不明朗，唯(🚑)有以酒(jiǔ )與音(😱)樂(lè )代替口水。全(🌙)片推展不問(wèn )目的，只(zhī )在剎(😞)那間的(de )(❔)意(yì )圖，行(háng )行企(qǐ )企比(🥔)起科曼更義無反顧，卻有生活(🙄)淡如流(🙀)水(shuǐ )的詩意(yì )和繆思，叫觀(🤷)眾聯想到二十年(nián )後的伊(yī )(👺)力．盧(🤳)馬。巴薩鍾(zhōng )愛音樂的(de )(⚾)程(🕯)度不(bú )下於(🤘)文(wén )字(zì )和電(💹)影(yǐng )(💔)，古典音樂與民間音樂於(yú )全片(piàn )迴(huí )轉迴盪(dàng )，難怪成了奇(qí )斯洛夫斯基十大心愛(ài )電(🙎)影之一。 康城(chéng )影(📛)展青年評(📸)審團獎，美國全國影評(🔞)人協會(huì )特(🔎)別獎(jiǎng )(🔙) (👄) (🐖) 這(🖍)部(🔫)1966年(nián )的(de )珍品，是捷克(kè )新浪潮短暫生命中最佳作品之一。成名(❓)音樂(✖)家(jiā )到小(xiǎo )(🎴)鎮探訪舊(🍹)同(tóng )(⛴)學，舊(jiù )同(tóng )學是個窮(👅)音樂教師，有時在喪禮上吹奏(💛)樂曲。平(píng )凡(🏡)的素材(cái )在巴素手裡(lǐ )，變出(📯)風趣復罕(🔍)見的(🍉)旋律，一(🌒)部(bù )憂鬱的喜劇(🐸)，或灰(🏗)色喜劇。 (🔝) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(👂) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (👪) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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